One?act plays are a celebration of theatre at its most potent: bold ideas, sharp storytelling, and unforgettable moments distilled into a single, under-50-minutes experience.
Free from excess and rich in imagination, they demand precision from playwrights and performers alike, proving that greatness is measured not in length but in impact.
From intimate character studies to daring experimental works, one?act plays have long been a proving ground for new voices and a showcase for theatrical craft at its finest.
The following list honours ten award?winning one?act plays that demonstrate just how thrilling, moving, and memorable a short play can be.
Two Women & A Chair by Michael Olsen
Two actors, Jessie and Martine, arrive at an audition to discover only a bare room with a mysterious black chair. The only instructions on what they should do are contained on the flyer advertising the play, and it soon becomes clear that this is no ordinary audition—or is it an audition at all?
Will they obey the cryptic instructions? What of Damian, the director? Is this all a plot to get back at Martine, or is there something more? The answers, as always, lie in the choices Jessie and Martine are about to make.
Read More
Odd Chemistry by Aaron Evans
Inside Jacinta’s mind, Depression, Anxiety and Borderline Personality Disorder argue over who helps her the most—until Serotonin and Dopamine arrive, determined to change the balance. As each force defends its purpose, they uncover how Jacinta created them to survive, and realise that none of them are as helpful, or harmful, as they believed. By confronting their roles, they discover that healing comes not from elimination, but from understanding.
Odd Chemistry is a warm, humorous exploration of mental health, offering a hopeful reminder that we are not defined by what we live with, but by how we learn to work with it.
Read More
Embers by Natalie Burns
For days, smoke hangs on the horizon, staining the sky orange — a distant warning of what’s to come. Like so many regional towns, Pine Ridge clings to hope that the fires will pass them by. But when an abrupt wind change turns a Watch and Act warning into a full evacuation, that hope is rapidly consumed.
Journalist Nowra Cobargo returns to Pine Ridge after years away, assigned to cover the approaching bushfires. What she finds is more than a story: unresolved family tensions, familiar faces from a past she thought she’d left behind, and a firestorm no one could have anticipated. As the town braces for impact, Nowra is forced to confront both the disaster unfolding around her and the one waiting within.
Winner of the 2021 Noosa One Act Playwriting Competition, the Nancy Cato Audience Choice Award, and three Adjudicators’ Awards.
Read More
One Starry Night by Kevin Nemeth
As World War II draws to a close, Sarah is stunned by an unexpected visitor: Robert, the American soldier she once met in a quiet coastal town in Queensland. Believing their brief connection was destined to remain a memory, she never imagined their paths would cross again—yet here he is, asking questions she isn’t sure she’s ready to answer.
His sudden return rekindles a bond forged under the shadow of war, raising hopes that once seemed impossible. But with conflict still lingering and the future uncertain, Sarah and Robert must confront whether what they share can survive the world they are returning to. Tender, restrained, and deeply moving, this one?act play explores love, longing, and the echoes of choices made during wartime.
Winner of the 2020 Edythe Brook Cooper Playwriting Competition.
Read More
God Goes to a Shrink by Hugh O’Brien
God has a problem — and turns up disguised as a Coles delicatessen worker to seek counselling from an atheist psychologist and a dim?witted but endearing receptionist. What follows is a fast?paced, irreverent comedy that gleefully pokes fun at religious doctrine, cultural sacred cows, and even delivers a surprising revelation involving Ken and Barbie.
Quirky, sharp, and unapologetically cheeky, this award?winning play comes from the writer of Farmer Will Swap Combine Harvester For Wife and made a strong impression on the Queensland festival circuit in 2011, collecting multiple accolades along the way.
Read More
The Rock in the Water by Simon Denver
In the aftermath of a brutal civil war, King Creon decrees that one fallen brother be honoured while the other is left unburied. His niece Antigone, bound by family and conscience, defies the State to do what she believes is right. This clash between moral duty and law becomes an unyielding battle of wills, forcing audiences to confront an enduring question: when faced with an impossible choice, would they follow their heads—or their hearts?
Avatar by Mark Lucas
When petty thief Virgil breaks into Anastasia’s house, things don’t go to plan — especially when he starts looking less like a burglar and more like an angel. Add an open window, a brolly?wielding nemesis, and a contested inheritance, and the night spirals into a chaotic battle of half?wits. Sharp, fast, and delightfully absurd, this award?winning comedy proves that stupidity really does fly on broken wings.
Winner of over 20 festival awards.
Read More
Circus by Mark Langham
Old performers, they say, never retire. The phone just stops ringing…
Geoffrey is the newest recruit to the Lion Tamers, Magician’s Assistants and Human Cannonball Lighters Retirement Village – the LTMAHCLRV, for short. As one half of “Geoffrey and Eustace, Lion Tamers Extraordinaire”, he has earned his rest. No sign of Eustace anywhere though…
He joins Hortensia and Estella; both assistants to magicians, both with a tale to tell – try stopping ‘em – and with an abiding hatred of each other. And Lionel. No one quite knows what to make of Lionel. And his little friend. Thrown together with nothing more than a lifetime of showbiz to bind them, they soon find that they have more in common than, perhaps, they imagined. And Lionel. What’s his role here? He’s cleaned up after elephants, tried, in vain, to keep clowns off the sauce but this may be his moment to shine – finally.
Winner (Best Play) of the Toowoomba Play Writing Competition.
Read More
The Truth About Camping by Gavin Critchley
This is the story of a typical family on a typical holiday camping trip – in other words, no-one can remember whose idea it was to do this. Well out of WiFi range and under the gaze of nocturnal creatures, they all do their best to avoid boredom, limited food choices and Mum, who is determined that everyone is going to have FUN!
The Truth About Camping won 2nd place in the 2021 Noosa Playwriting Competition.
Read More
Tudo Ou Nada (All or Nothing) by Frank Wilkie
When two lovers from vastly different cultural backgrounds bring their parents together to explain why they still aren’t married, long?held prejudices, buried secrets and awkward indiscretions quickly rise to the surface. As loyalties are tested and clashing worldviews collide, what begins as an uncomfortable family meeting becomes a surprisingly heartfelt reckoning for all involved.
Written by Frank Wilkie — now the Mayor of Noosa Shire Council, Tudo Ou Nada (All or Nothing) is a warm, sharply observed comedy about love, identity and the families we inherit. Winner of the 2010 Noosa Playwriting Competition Audience Choice Award, it remains a popular and accessible work for festival audiences, senior teens and drama groups alike.
Read More